In situ’s 2015 production of The Canterbury Tales

In situ‘s The Canterbury Tales: A Promenade Performance (2015)

by Candace Barrington

Many of our posts alert readers to the latest information about the ongoing global reception of Chaucer’s work. Sometimes, though, we use these posts to record information that we don’t have time to follow up on but don’t want to fall through the cracks. This is one of them.

In situ, a theatrical company based in Cambridge UK, produces and performs site-specific works in non-theatrical spaces. (I confess to being an avid fan of such productions, although I’ve never seen an In situ production.)

In 2015, they developed The Canterbury Tales: A Promenade Performance. Bits of the performance can be viewed on this video from the Brighton Fringe Festival.

New Chaucer Society 2024 Congress: Call for Papers

Shakespeare Gardens at The Huntington, one of the featured venues for NCS 2024 Congress.

by Candace Barrington

We are excited to share news that the Program Committee for the 2024 Biennial Congress of the New Chaucer Society has posted its Call for Papers. In the Call for Papers you’ll find detailed descriptions of the the session formats being offered at the Congress.

  • Hybrid
  • Paper
  • Lightening Talk
  • Position Paper
  • Poster Expo

You’ll also find descriptions of the 65 sessions clustered around 10 Threads.

  • Ethics of Reading Chaucer, Then and Now
  • Logistical Chaucer
  • Surveillance
  • Viability: Access, Values, New Directions
  • Code(x)
  • Ecologies and Consumption
  • Materialities and Performance
  • The Quadrivium
  • Translation and Experimentation
  • Open Topics

Notice that submitting your proposal is a two-step process.

  1. Complete the online Abstract Submission Form
  2. Email your abstract to the session organizers

Complete submissions are due 22 September 2023.

The 2024 Congress will be held 15-18 July 2023 at The Westin, Pasadena, California. General information about costs can be found in the Call for Papers document. More detailed information will be forthcoming.

We believe the Call for Papers provides an exciting banquet of options. Among the many delights, several seem well suited for our global colleagues:

  • 17. Tech Talks: Access and Accessibility in Medieval Classrooms
  • 20. Rare Books for the Rest of Us
  • 24. Re-evaluating the Manuscripts of Multilingual Medieval Wales
  • 38. Teaching the Performative Middle Ages
  • 48. Translation, Experimentation, and Pedagogy
  • 52. Forms of Translatio studii et imperii
  • 57. Pacific Medieval Studies
  • 62. Teaching Chaucer at Hispanic-Serving Institutions
  • 65. Poster Expo