New Chaucer Society 2024 Congress: Call for Papers

Shakespeare Gardens at The Huntington, one of the featured venues for NCS 2024 Congress.

by Candace Barrington

We are excited to share news that the Program Committee for the 2024 Biennial Congress of the New Chaucer Society has posted its Call for Papers. In the Call for Papers you’ll find detailed descriptions of the the session formats being offered at the Congress.

  • Hybrid
  • Paper
  • Lightening Talk
  • Position Paper
  • Poster Expo

You’ll also find descriptions of the 65 sessions clustered around 10 Threads.

  • Ethics of Reading Chaucer, Then and Now
  • Logistical Chaucer
  • Surveillance
  • Viability: Access, Values, New Directions
  • Code(x)
  • Ecologies and Consumption
  • Materialities and Performance
  • The Quadrivium
  • Translation and Experimentation
  • Open Topics

Notice that submitting your proposal is a two-step process.

  1. Complete the online Abstract Submission Form
  2. Email your abstract to the session organizers

Complete submissions are due 22 September 2023.

The 2024 Congress will be held 15-18 July 2023 at The Westin, Pasadena, California. General information about costs can be found in the Call for Papers document. More detailed information will be forthcoming.

We believe the Call for Papers provides an exciting banquet of options. Among the many delights, several seem well suited for our global colleagues:

  • 17. Tech Talks: Access and Accessibility in Medieval Classrooms
  • 20. Rare Books for the Rest of Us
  • 24. Re-evaluating the Manuscripts of Multilingual Medieval Wales
  • 38. Teaching the Performative Middle Ages
  • 48. Translation, Experimentation, and Pedagogy
  • 52. Forms of Translatio studii et imperii
  • 57. Pacific Medieval Studies
  • 62. Teaching Chaucer at Hispanic-Serving Institutions
  • 65. Poster Expo

New Chaucer Society 2020 Congress: Call for papers

Durham cfp4

by Candace Barrington

Durham University is hosting the New Chaucer Society’s 2020 Congress, and there’s still time to submit paper proposals. The deadline is 20 May 2019.

Global Chaucers is organizing a lightening talk session on the Histories of Chaucer’s non-Anglophone Receptions (session 2). Jonathan and I invite your proposals exploring the histories of Chaucer’s reception beyond the Anglophone reception. Possible topics include the non-Anglophone, multilingual, or cross-cultural histories of textual transmission; translations and editions; Chaucer in the curriculum; and contributions to scholarship.

While you’re at the NCS website, take a look at Jonathan Fruoco’s session on Chaucer in the Non-Anglophone World: Translations and Cultural Appropriations (session 70).
In addition to these two sessions, many of the other sessions invite papers of global interest.

Please note the two-step process for submitting your proposal: first you register online, then you send your abstract to the session organizer(s). 

Many thanks to the program organizers–Elliot Kendall, Robyn Malo, Mary Flannery, Wan-Chuan Kao, Philip Knox, Myra Seaman, Ruth Evans and Tom Goodmann –for the exciting program. The 2020 Congress in Durham promises to match the international breadth of the 2018 Congress in Toronto! Please join us!

 

The 2018 New Chaucer Society Congress: Day 1

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Clamorous and happy break between sessions. Victoria College. Photo by Chris Jones.

To say the past two years have been tough for medievalists and medieval studies is to risk unsympathetic oversimplification.  Within the home turf of our colleges and universities, we have found our courses more and more marginalized.  Beyond the walls of higher education, we have seen our field and our texts misappropriated in horrifying ways. The siege from both sides has been exhausting.

The New Chaucer Society’s 2018 Congress provided a much-needed antidote to past injustices and an invigorating inoculation against forthcoming wrongs.  By embodying the Society’s principles on public discourse and civility, the congress organizers and participants created a restorative and regenerative space that allowed everyone to be seen and valued.

The more inclusive, more global turn in Chaucer Studies was evident from the moment  Toronto was announced as the New Chaucer Society’s 2018 Congress venue. The program committee (co-chairs Bobby Meyer-Lee and Claire Waters, plus Louise D’Arcens, Jonathan Hsy, Elliot Kendall, and Sebastian Sobecki) worked to develop innovative formats, design innovative sessions, and incorporate perspectives from scholars both new and established. At the same time, congress organizer, Alex Gillespie of the University of Toronto, and congress host, Will Robins of Victoria University, sought ways to bring Toronto’s legendary medieval resources and burgeoning global community together for new purposes.

The Congress’s first morning set the tone by beginning with a traditional smudging ceremony conducted by Elders Grafton Antone and Eilene Antone (both from the Oneida of the Thames First Nation and on the University of Toronto faculty). Conducted in the indigenous language, the ceremony cleansed the gathering of the difficulties encountered getting to the congress and prepared everyone to have a good mind. The ceremony was followed by Carter Revard (a Native American and Chaucer scholar) reading his own poetry, which incorporates aspects of indigenous, modern American, and Middle English culture and languages. Ardis Butterfield’s Presidential Address, “The Dream of Language,” asked her audience to consider the continuum of linguistic registers that color our understanding of how Latin and medieval vernaculars co-existed and changed. Once we recognize the inadequacy of identifying any semantic or syntactic unit as belonging to one language or the other, we see utterances as ‘translingual.’ Bringing words and formations across languages becomes so natural that it occurs without any awareness the change has happened.

When the first sessions started that afternoon, they included six topic threads: Chaucer Abroad, Forming Knowledge, History Now, Language Contacts, Making the Text, and Middle English Literature at Scale. Designated by the program committee, the threads highlighted the more inclusive, global nature of medieval studies.  Because I primarily followed the Chaucer Abroad thread, I encountered several Global Chaucers, new and old, highlighted below.

  • The first session, Who Owns Chaucer Now? (organized by Jonathan Hsy and Louise D’Arcens, and moderated by Louise), featured two fascinating papers.
    • Elizabeth Watkins (Loyola Univeresity, New Orleans) introduced us to a forthcoming translation in Bikol, a language with 4 million speakers in the central Philippines. Part of Ateneo da Naga University’s ongoing process to demonstrate Bikol’s legitimacy as a literary language, the verse translation illustrates the continuity of religious culture that is more apparent in the Philippines than in Europe.
    • Ufuoma Overo-Tarimo (University of Iceland) previewed the forthcoming productions of her Nigerian Pidgin play The Miller’s Tale: Wahala Dey O! In addition to describing the parallels between the cultures of late-medieval England and contemporary Nigeria, her talk included a short, excerpted performance that illustrated how she was able to focus on the human factor and to show how human behavior doesn’t change across time or space.
  • In the second session, I joined Ingrid Nelson and Shazia Jagot on the Chaucer “And”: Methods of Interdisciplinarity panel organized by Michelle Karnes and moderated by Julie Orlemanski, a part of the Forming Knowledge thread.
    • Ingrid Nelson (Amherst College) used her paper “Thinking (with) Media” to place pressure on the presentist tendencies of media studies, which mistakenly equates media with a limited number of technologies.
    • Shazia Jagot (University of Surrey) persuasively argued in her paper, “Chaucer and Arabic,” that we can move beyond the usual source studies to discover Arabic as a deeply embedded cultural force in Chaucer’s work.
    • My paper, “To Interdisciplinarity and Beyond,” considers what Global Chaucers can tell us about the limits of critique; it can be found here.

The first day ended with three special events, each affirming NCS’s commitment to being an open and inclusive scholarly organization.

  • Members Parliament. In addition to learning that the Society’s financial and membership numbers remain strong, we heard from in-coming executive director, Tom Goodman (University of Miami).
  • Research Expo. The 2014 Congress’s experimental poster session has now become a very successful aspect of the congress. During the initial viewing at the Hart House Great Hall reception, the presenters were available to discuss their work and answer questions.  After the reception, the exhibit moved to the main gathering area in Victoria College.
  • LGBTQIA+ Get Together. This informal gathering at the Glad Day Bookshop, the oldest North American bookstore specializing in queer literature, provided an opportunity for all LGBTQIA+ and allies to mingle and relax.

By the end of the first day, the Smudging Ceremony seems to have achieved its goal.

The Miller’s Tale: Wahala Dey O!

by Candace Barrington

img_7995.jpgOn 13 and 15 July, Ufuoma Overo-Tarimo’s dramatic adaptation, The Miller’s Tale: Wahala Dey O! was finally brought to audiences in the western hemisphere. Featuring performers from Nigeria, England, Iceland, and Canada, the international troupe brought an exuberant interpretation of Chaucer’s tale, first to the Isabel Bader Theatre at Victoria College, Toronto, and then to Erindale Studio Theatre in Mississauga.  True to the spirit of Nigerian dramatic tradition, the production enhanced the comic adaptation with music and dancing from many genres.  

The first performance coincided with the New Chaucer Society Congress being held at Victoria College, so the filled house was not surprising.  It was good to learn that the second performance also played to a full house.  

The large undertaking would not have been possible without the support of the 2018 NCS Congress hosts, Alex Gillespie, Will Robins, and their exceptional University of Toronto team.

New Chaucer Society 2018 Call for Papers

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The New Chaucer Society’s 2018 Congress will be in Toronto, Canada, 10-15 July 2018.

The Call for Papers for NCS 2018 is now available, and it includes an entire thread–Chaucer Abroad–that offers several sessions with particular interest to Global Chaucers aficionados.

  1. Border Crossings: Chaucer’s Italy
  2. Chaucer Abroad: Who Owns Chaucer Now?
  3. Chaucer and Muslim Readers
  4. Chaucer on Islam and the East
  5. Marginal Chaucer: Chaucer Studies in Non-English Academia
  6. Metrolingualism
  7. Reassessing Boundaries: Chaucer and Medieval European Literature
  8. The Woman Question: Chaucer and his European Context

You will find descriptions of these panels–as well as 73 other sessions–at the NCS website.  Proposals (in the form of a 250-word abstract submitted here) are due 24 April 2017.

 

The Miller’s Tale: ‘Wahala Dey O!’

by Candace Barrington

WahalaDeyOh

We have great news for Chaucerians in Reykjavik this summer for the New Chaucer Society Congress! We’ve learned that Ufuoma Overo-Tarimo will be staging her adaptation of The Miller’s Tale to coincide with the conference in July.  Written in both Nigerian Pidgin and English, The Miller’s Tale: ‘Wahala Dey O’ had its premier at the 2012 Edinburgh Fringe Festival and received a four-star rating and glowing reviews

Ufuoma’s adaptation draws on her background: born in Nigeria and raised in Britain, she is a former student of Sif Rikardsdottir (the Icelandic Chaucerian heading the conference’s local organizing committee); she took Sif’s “Chaucer and the North” course.  She wrote in the play in 2006 while studying for her Masters in English.  Based on the snippets of the play that I’ve viewed on YouTube, I wasn’t surprised to learn she had previously studied Philosophy and History of Religion at King’s College, London University and later studied at the College of Law.  That legal trajectory changed when she moved to Iceland with her husband in 2004 and began graduate study in English.  And even that journey has taken a side trip.

She explained it to me this way:

I discovered play writing and feel very passionate that this is a sound way to get people who would otherwise not care for Chaucer right into the heart of Chaucer’s work. The Edinburgh Fringe proved this right.  As the play attracted all and sundry from curious Chaucerians, English Professors, bored students, wanderers, homesick Nigerian/English expatriates and colonialists, and those in search of a good time…

Chaucerians at the Reykjavik conference will get a chance to meet Ufuoma and to see her play.  We will keep you posted on the performance schedule and how to purchase tickets.