Global Chaucers in UVA and DC

by CANDACE BARRINGTON and JONATHAN HSY

The Global Chaucers co-directors are currently in UVA! We’ll be appearing at the Scholars’ Lab on Thursday to discuss “Digital Hospitality” and the Medieval Colloquium on Friday for a workshop on “Linguistic and Cultural Hospitality.” More than ever, we are hoping this project can create a more empathetic, culturally aware, and interconnected world.

We the co-directors also proud to be taking part in an interdisciplinary symposium on Saturday organized by the GW Digital Humanities Institute at George Washington University (Washington, DC) on Saturday entitled “Global Chaucer and Shakespeare in a Digital World.” Visit the symposium website for full information [and note the informational flyer below]. The symposium features José Francisco Botelho (Brazilian translator of both Chaucer and Shakespeare) among many other exciting folks! The conference in DC is FREE and open to the public.

After the DC event, Botelho will continue on to Connecticut for a conversation about his Contos da Cantuária.

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Botelho, Chaucer’s Brazilian Translator, in Connecticut 8 & 9 February 2017

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I’m pleased to announce that my Canterbury Tales students and I will be hosting Francisco José Botelho, Brazil’s award-winning poet and translator in a conversation about his Contos da Cantuária.  Botelho is in the United States as a guest of the Global Chaucers Project, CCSU English Department, SCSU English Department, and the George Washington University Digital Humanities Institute.

Date: Wednesday, 8 February 2017

Time: 4:30pm to 6:00pm

Place: Marcus White Living Room, CCSU

We welcome anyone interested in Brazilian culture, medieval literature, translation studies, or fascinating conversation.

Campus Chaucer: The Resurgence of English-only Politics

At the 2017 Modern Language Conference, I was part of a “Campus Chaucer” round table sponsored by the Chaucer forum. Thinking in terms of how current political debates are echoed in Chaucer’s The Canterbury Tales or erupt in our classrooms, Lisa Cooper (University of Wisconsin, Madison) spoke on the value of labor, Liz Scala (University of Texas, Austin) spoke on expressing diverse opinions on a campus with guns, and Nicole Sidhu (East Carolina University) spoke on sexual assault and trigger warnings.

Below is the text of my talk on English-only politics.  It includes links to my referenced sources as well as to the assignments I discuss. 

During the Republican presidential primaries, the eventual nominee and president-elect announced, “This is a country where we speak English, not Spanish.” Based on that statement and the subsequent rhetoric of the 2016 presidential campaign, I anticipate that right-wing champions will add to their arsenal a familiar shibboleth, English-only policies. Used to support nativist causes in the United States, English-only statements are already a standard part of anti-immigrant stances.  For instance, this past Wednesday evening, NPR’s story about efforts to resettle Syrian refuges in Toledo, Ohio, included this impromptu statement from John Johnstone, a Navy veteran:

“If you want to come here and turn the United States into Syria, I’m against that.

“If you want to come here and speak English, you want to assimilate, you want to have a pizza, you want to have a beer, you want to eat a chicken wing, I’m all for it.”

For Johnstone, Americanness is marked by a constellation of recognizable behaviors—what one eats, what one wears, what one drinks—and at the center, holding these behaviors together is what one speaks:  English. In this line of thinking, speaking English marks a newcomer’s willingness to leave old habits behind and to adopt new ways, even ways antithetical to religious beliefs protected by the first amendment.  Unless English is spoken, a newcomer has not made the necessary sacrifices to be an American.  According to English-only logic, what separates those worthy of being in the United States from those who are not worthy is the willingness to speak English, a willingness from which the ability to speak English is assumed to flow naturally.

The state of Connecticut where I teach, has demonstrated little previous support for English-only policies.  From what I can tell, a lone proponent’s legislative efforts resulted in only one hearing at the Connecticut Assembly, and that was back in the 1990s. While the much of the country turned red in the past two decades, Connecticut has largely stuck to its progressive values. Conservative voices have been largely muted, and right-wing values have been kept under wraps. With the prospect of a new administration in Washington and a more closely divided state legislature, however, I’m seeing a shift in tone. Conservative voices have grown bolder, and more brazen right-wing bumper stickers (my primary index for comparative levels of discontent among the general populace driving up and down I91) have appeared on the backsides of vehicles in the seven weeks ccdl_logosince the election. Now that I’m seeing increased numbers of “Connecticut Citizens Defense League” decals in rear windows—a more aggressive statement than it might initially appear when you remember the 2012 mass shootings in Newtown, Connecticut—and the more overtly come-and-take-itmenacing “Come and Take It!”  bumper stickers on the back of pickups, I wonder if I’ll start to see more “If you live in America SPEAK ENGLISH” on my daily commute.  081114_englishonly

Although English-only policies in Connecticut might have seemed far-fetched the last time I taught Chaucer’s The Canterbury Tales, those policies and the politics informing them warrant my courses’ attention this spring. And if this is true in Connecticut, it’s probably true in your state, too.

What is a Chaucerian to do?

First, no matter where we teach, we need to be aware of the ways Chaucer and other medieval English authors can be co-opted by nativist politics, a point Sierra Lomuto makes in her December posting, “White Nationalism and the Ethics of Medieval Studies” for the “In the Middle” blog.  Rooted in nineteenth-century nationalism and nationalist medievalism, white nationalism easily slides into unfounded notions of a pure English tongue worthy of its eventual global domination. According to this narrative, American English is the undefiled descendant of a language that sprang forth from the British Isles before dominating the world with its linguistic flexibility and semantic dexterity, absorbing bits of other languages without being tainted by the process. As we saw in the nineteenth and early-twentieth centuries, Chaucer and his work can be brought into the narrative when he is identified as the well-spring of a pure English language and the “father” of English letters.

Of course, with few exceptions, students enter our classes on The Canterbury Tales with minimal knowledge of Chaucer or the history of English. And most likely they are not burdened with false information co-opted by nativist politics about the ways medieval languages and literature embody a pure Anglo-Saxon ethos.  Nevertheless, most have an opinion about English-only policies, an opinion often informed by their own relation to other languages.  Although many of my students are within a generation or two of their families’ having immigrated to the United States, it has never occurred to me to discuss English-only policies or their opinions on the subject. In these changed circumstances, however, I plan to initiate a discussion early in the term and to approach the topic of English-only politics in two ways, each using the lens of translation.

The first approach works against the notion that there is or ever has been a stable English linguistic tradition, untouched by other languages, by emphasizing Chaucer as a translator whose works appropriate and embed multiple literary and linguistic practices. Using etymological exercises, we will also explore the essential plurilinguistic nature of English and disabuse ourselves of any sense of linguistic purity and homogeneity even in earlier, pre-global forms of English. Inspired by an assignment shared by Melissa Ridley-Elmes, I also plan to ask students to track particular French terms—such as curteisie, sovereynetee, vileynye, subtil, aventure, gentillesse, entente, and sondry—for their shifting semantic properties not only across the Tales but also through the centuries from medieval French to present-day English.  These two exercises will help students grasp the benefits other languages have brought to English as well as the ways English speakers reshape those stolen terms.

My second approach takes an entirely different tack.  Developed in collaboration with other faculty teaching Chaucer’s The Canterbury Tales at universities with multilingual students, this approach centers on an exercise highlighting the bi-lingual / bi-literate expertise of students by using non-Anglophone translations of the Tales. Rather than seeing these translations as cribs for unsteady readers of Middle English, the exercise highlights the ways translations can reveal less apparent aspects of the Middle English text.  Moreover, bringing translations into my classroom allows students to explore (for example) the difference between a Christian pilgrimage and a Muslim haj in the Arabic text, the discomfort with sexuality in the Korean translation, the celebration of sexuality in the Brazilian translation, and the avoidance of religion in the Chinese translations.

Even monolingual students are fascinated by the ways the translations help them see the Middle English text from a new perspective.  This fascination is especially pertinent when translated words embody ideas that seem timeless and unchanging to the students.  Although they may have never taken a pilgrimage, they assume all pilgrimages have basically the same purposes and make similar demands. When a Turkish translation embeds sexual attitudes similar to the students’ own, they are more open to hearing what it says about Muslim dietary practices.  Most significantly, the translations help students see where the tale’s perspectives do not align their own: that the anti-Semitism in The Prioress’s Tale might be deeply engrained, that the misogyny in The Merchant’s Tale might not be an eccentricity, or that the piety in The Second Nun’s Tale might not be a medieval aberration.

Bringing The Canterbury Tales into contact with other languages—either through the etymology exercises or the non-Anglophone translations—provides students with the necessary knowledge to question the premises underlying English-only politics.  Although I’ll probably reveal my thoughts on those ill-begotten policies, the class’s careful attention to Chaucer’s language and its engagement with languages past and present, I suspect, will do the work for me.

Wales Book of the Year in 2015: English language poetry shortlist

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In a bit of belated news, one of our favorite Global Chaucers, Patience Agbabi’s Telling Tales, was short-listed for the Roland Mathias poetry award as part of the 2015 Wales Book of the Year selections (English language category).  Agbabi’s Welsh heritage adds another interesting dimension to her fabulous adaptation of The Canterbury Tales. (Thanks to Jackie Burek for the tip!)

(Image: Catryn Williams, “At y Chwarel”)

 

Article: Miller’s Tale and Chinese Culture

by JONATHAN HSY

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Collage of images: English gentleman (early modern printed text), a Confucian scholar (modern drawing), and examples of ancient Chinese seal script. [original image here]

Several blog postings relating to Chaucer in Chinese contexts have appeared on this blog (see here, here, and here), and we are happy to draw attention to another resource:

Xiaolei Sun (孙晓蕾), a doctoral student at Shanghai International Studies University (and currently a visiting scholar at the University of Leeds), recently discovered this blog and kindly informed us of her article “When Fabliau Humour in Chaucer’s The Miller’s Prologue and Tale meets Chinese Translation and Culture,” published in the White Rose College of Arts & Sciences Journal (Universities of Leeds, Sheffield & York, 18 May 2016).

You can read the article online or download it as a PDF.

Refugee Tales: ebook available now!

by JONATHAN HSY

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Cover of Refugee Tales (forthcoming from Comma Press, 2016).

Refugee Tales is now available for purchase as an e-book (or pre-order a hard copy)!

This collection includes the contributions by Patience Agbabi (former Poet Laureate of Canterbury and author of Chaucerian remix Telling Tales), as well as other artists and storytellers from varied backgrounds. (We’ve mentioned Agbabi’s work throughout various blog posts, and you can read more about the “Refugee Tales” project here; see also my related posting on the global refugee crisis at In The Middle.)

Refugee Tales is a multi-voiced collection that conveys “the frighteningly common experiences of Europe’s new underclass – its refugees. … Presenting their accounts anonymously, as modern day counterparts to the pilgrims’ stories in Chaucer’s Canterbury Tales, this book offers rare, intimate glimpses into otherwise untold suffering” (read more on the Comma Press website).

I’ve already acquired the e-book and can already say that the poetry and stories in this book are at once beautiful, provocative, and moving.

Note all profits from this book go to the Gatwick Detainee Welfare Group and Kent Help for Refugees.

Note there are many events happening in July 2016 (before and throughout the New Chaucer Society Congress in London) relating to the Refugee Tales project; see event listing here (note the forum and various scheduled legs of the walk, a “reverse” pilgrimage along the route from Canterbury to Westminster).

Upcoming events of interest:

Friday, 8 July 2016: Presentations from Refugee Tales at the Institute of Contemporary Arts in London. Ali Smith,”The Detainees Tale”; David Herd, “The Prologue;” and Patience Agbabi, “The Refugee’s Tale.” [Book tickets here – SOLD OUT as of 10 June]

Wednesday, 13 July 2016: Reading by Patience Agbabi coinciding with the New Chaucer Society Congress in London; she will deliver an interactive reading entitled “Herkne and Rede” drawing from Telling Tales that explores poetry performance as dynamic adaptation. [This is a public event. Scroll to the end of this schedule; more info will be forthcoming on this blog]

A New Look and Updates!

By JONATHAN HSY

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If you’ve visited recently, you may have noticed a few changes to the Global Chaucers website. We’re trying out a new look at the moment, but all the web content remains the same. The master list of modern Chaucer translations and adaptations (last updated in February 2015) has just now been updated with the addition of a hundred new items.

Newly identified items have been added for the following countries/languages:

Argentina/Spanish
Australia/English
Belgium/Dutch
Belgium/French
Canada/English
Colombia/Spanish
Czech Republic/Czech [incl. former Czechoslovakia]
Eritrea/English
Finland/Finnish
France/French
Germany/German
Hungary/Hungarian
India/English
India/Hindi
India/Tamil
Italy/Italian
Japan/Japanese
Mexico/Spanish
Netherlands/Dutch
Netherlands/Frisian
Romania/Romanian
Russia/Russian
South Africa/Afrikaans
South Korea/Korean
Spain/Catalan
Spain/Spanish (Castilian)
Sweden/Swedish
Turkey/Turkish
United Kingdom: England/English
United Kingdom: Scotland/Scots
United States/English

Feel free to consult the master list and if you notice any errors or are able to provide any of the missing information, please let us know!

Chaucer Biography Now: News and Reviews

Cover of Strohm Chaucer's Tale (Viking, 2014), reissued as The Poet's Tale (Profile, 2015)
Paul Strohm, Chaucer’s Tale: 1386 and the Road to Canterbury (New York: Viking, 2014); also published in the UK as The Poet’s Tale: Chaucer and the Year that Made The Canterbury Tales (London: Profile Books, 2014).

Chaucer biography is much in the news these days! A few recent items of note:

  • Candace Barrington has just published an attentive review of Paul Strohm’s new biography of Chaucer, Chaucer’s Tale: 1386 and the Road to Canterbury (New York: Viking, 2014). Read the review in the open-access journal The Medieval Review.
  • Jenna Mead offered her own engaging perspective on Strohm’s book in the group medieval studies blog In the Middle earlier this summer.

In the most recent issue of The London Review of Books (27 August 2015), Ardis Butterfield notes the current flurry of interest in the muck and olfactory sensorium of medieval London, and she reflects on the unflattering portrayal of Chaucer that emerges through Bruce Holsinger’s vivid fictional fiction about John Gower. [For more on the complications of voicing medieval poets and creating a “soundscapes” for narrative, read (or listen to!) this March 2014 interview between Holsinger and audiobook narrator Simon Vance in The Slate Book Review.]

Butterfield’s essay in The London Review of Books ponders some of the difficulties of writing in the genre of biography. How does a writer transform a historical archive into a life story?

  • Read Butterfield’s “Diary: Who Was Chaucer?” at the LRB website; if you can’t access the full essay there, try this link (provided by via Rachel Kennedy on twitter).

P.S. [ADDED AUGUST 29, 2015] Not quite a “news item” but relevant. Check out this new collection of essays by historians (each chapter focuses on one of Chaucer’s Canterbury pilgrims): Historians on Chaucer: The ‘General Prologue’ to The Canterbury Tales, ed. Steven Rigby, with assistance of Alastair Minnis (Oxford University Press, 2014).

Global Chaucers Roundtable at NCS 2016 in London

London_2-1371043833Global Chaucers is sponsoring another roundtable at the next New Chaucer Society Congress. Titled “Translating Global Chaucers,” the roundtable will continues the Global Chaucers conversation begun at the 2014 Congress. The focus will be on translations of Chaucerian texts into languages other than standard Present Day English. Participants include translators, scholars, and teachers outside the Anglophone inner circle (UK, US, Canada, Australia, and NZ). Their presentations consider the ways translations

  • reflect the particular linguistic, cultural, or social context in which they appeared;
  • reveal understandings of Chaucer’s texts unavailable to an Anglophone reader; and
  • take advantage of verse or prose forms (or other stylistic conventions) available in the receiving literary culture but not in English.

The five participants are

  • Stephanie Downes, University of Melbourne, Australia, “Vilains mots! Nineteenth-Century French Translations of The Canterbury Tales”
  • Marcin Ciura, Independent Translator, “In the Margins of the Polish Parlement of Foules”
  • Züleyha Çetiner-Ōktem, Ege University, “Reinventing Chaucer’s Sir Thopas from a Turkish Perspective”
  • Denise Ming-yueh Wang, National Chung Cheng University, Taiwan, “When Global Chaucers Go Local: Reading Chaucer in Taiwan”
  • José Francisco Botelho, Independent Translator, “Contos da Cantuária: Chaucer in Brazil”

We’re super excited about the international panel, with its mix of translators and scholars!

Global Chaucers and Digital Humanities: new Accessus article

Mehmet Güleryüz, "The Evening Sun," 2013, from his exhibit "With One's Eyes Open” at The Empire Project (Istanbul), 7 March-27 April 2013.
Mehmet Güleryüz, “The Evening Sun,” 2013, from his exhibit “With One’s Eyes Open” at The Empire Project (Istanbul), 7 March-27 April 2013.

We’re excited to announce that our article, “Global Chaucers: Reflections on Collaboration and Digital Futures,” appears in the latest issue of Accessus.  In it, we consider what Global Chaucers can teach us about Chaucer, digital humanities, medievalism, and collaboration. A lot has happened with GlCh in less that three years, and we value getting to share what we’ve learned from the thrilling experience. Our deepest gratitude to Eve Salisbury and Georgiana Donavin, Accessus‘s editors.